Another Friday and another zoom session - this time on trace mono printing. We began by looking at various prints that I have done - followed by a simple demonstration of rolling the ink onto a plate before making some simple marks - there is something really nice about the textures created.
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| Plate inked up, paper laid on top, draw some random squiggles and lift off the print. |
We then had a wide ranging discussion about the different variables in this technique: paper quality; paper weight; paper surface - textured vs smooth; ink used - or paint; drawing implement when drawing on the back; how long you leave the paper on for; how much to press on - for darker areas ...or not.
This technique is quick and easy ...but not as easy as it looks.... Trial and error is involved to get a feel for what works. You need to be confident when you draw and minimise the contact your hand makes with the paper.
We discussed how to use prints in collage; add colour highlights; how prints are reversed - so for landscapes you need to be carefull when planning a print.
Having said that, this cheap method of make a unique print, encourages freedom and abstraction. I didn't do the topic justice and so am looking forward to next week when we get together to see what has been printed in our own homes. I for one, will be having another go!
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| A lightly inked plate (acrylic paint in this case). |
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| Thicker paint and more texture. |
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| After an initial print had been taken, I then put on another piece of paper and drew again - picking up the ghost print from the previous print. |
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| Beach and cliffs - the sky was masked off before printing, some paint wiped off the plate and weak paint was splattered onto the beach. |
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| Textures.... |
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| Using an oil pastel and adding collage to rescue a rubbish print! |
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| Adding detail with a fine liner. |
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